You can view all the original step-by-step images over here. The images above are the final matches in REC.709. Now as you’d expect, the images out of the box were exposed quite differently and there are some noticeable differences in terms of color. Thanks very much to the Choice Bros team for letting us use their space.įinal matched REC.709 images – ARRI, left – iPhone, right. Our first tests were shot over at Choice Bros in Wellington. Original camera footage – ARRI, left – iPhone, right Oh, and a shout out to our good friends at Newsshooter for inspiring this □ If you are serious about shooting anything on the iPhone, the first step is to ditch the standard camera app. We’ve been using FiLMiC Pro for years on the iPhone, as it’s by far the best way to get real control over your images. We shot ARRIRAW for the Alexa and FiLMiC LOG v3 for the iPhone. We grabbed an ARRI Alexa Mini for the day from Rocket Rentals and strapped an iPhone to it to see how it compared side by side. Let’s see what it can do! iPhone mounted alongside ARRI Alexa Mini We decided to see how close we can get the colour without breaking a sweat, and if the iPhone can hold up when digitally manipulated to look like the gold standard in digital filmmaking. We have noticed though that the iPhone 12 Pro, with its 10-bit HDR, is a much more capable device than what we’ve seen in the past, and this makes us curious.Īs camera matching experts, who better to take a poke at this? Now every time this question pops up on the internet, it is handily squished by a barrage of sceptical commentary, and not without cause. While we were at it, we thought we’d try to answer a question that has been plaguing the internet for millennia – can you make an iPhone look like an Alexa? Here at FilmConvert HQ we’ve been working hard to get the iPhone 12 Pro into the World’s best camera matching software – CineMatch.
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